I've long been a fan of the group Anonymous Four, especially their CDs American Angels and Gloryland. These two CDs introduced me to shape-note singing and the book The Sacred Harp.
Here's a screen shot of the PDF I found online, of one of the A4 songs:
And here's my recording! It's a bit ragged, but for a first try I think it's not so bad.
Showing posts with label singing. Show all posts
Showing posts with label singing. Show all posts
Friday, November 11, 2011
Saturday, December 4, 2010
Christmas Carols
I've got a gig singing in one of those strolling Victorian quartets that you see at Christmastime. I'm pretty pleased about it - I've always wanted to be on of those singers! However, I'll be singing alto. This is probably a good thing for my voice and my nerves (I'm only sometimes in a soprano solo mood), but it means that I have to find a way to practice without the music I'll be singing from on the day.

Enter http://www.christmas-carol-music.org/. This great site includes 56 carols, all with the two things I need - standard 4-part arrangements with PDF files and midi files of each one. I open the midi file in media player, pop open the PDF, and sing away. When I get the music next weekend, I can either sing what's in the book they give me or what I've already learned - either way it will sound fine!
This doesn't, of course, include Christmas songs, like Rudolph or Frosty. Theoretically a Victorian quartet shouldn't be singing those songs, but in practice I'm sure we will. I haven't quite figured out how to handle those. Any ideas?

Enter http://www.christmas-carol-music.org/. This great site includes 56 carols, all with the two things I need - standard 4-part arrangements with PDF files and midi files of each one. I open the midi file in media player, pop open the PDF, and sing away. When I get the music next weekend, I can either sing what's in the book they give me or what I've already learned - either way it will sound fine!
This doesn't, of course, include Christmas songs, like Rudolph or Frosty. Theoretically a Victorian quartet shouldn't be singing those songs, but in practice I'm sure we will. I haven't quite figured out how to handle those. Any ideas?
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